MICHELANGELO'S DAVID: 0 Degrees of Separation

MICHELANGELO'S DAVID: 0 Degrees of Separation

CONTENTS:

(1) THE GRIM REAPER COMES TO SELFIE HELL

(2) SPIRIT OF THE BUNKER

(3) AN INVITATION TO THE GALLERIA DELL'ACCADEMIA (not to be confused with "The David Museum")

Florence, Galleria dell'Accademia; a moment in the 2016 restoration of Michelangelo's David (Photo Alberto Pizzoli)

(1) THE GRIM REAPER COMES TO SELFIE HELL

Michelangelo's David is an amazing thing.

Or so they say. Not that anyone has actually seen it in recent decades.

Florence, Galleria dell'Accademia; the usual mob besieges Michelangelo's David.

Quiet contemplation?

Not a chance!

Hordes of camera-slingers cut in between you and the David —in almost any season, at almost any time of day.

Meanwhile, the main gallery of the Accademia is a vast echo chamber not helped by guards shouting for people to keep their voices down.

Florence, Galleria dell'Accademia; the public responds to Michelangelo's David.

The statue is set on a high pedestal. So it can be seen —or selfied —from far away.

If you treasure the illusion of zoom intimacy and if you don't mind turning your back on the object you traveled hundreds or thousands of miles to admire.

Florence, Galleria dell'Accademia; the public responds to Michelangelo's David.

The David has been memed halfway to hell and back.

It lives on a planet of its own— beyond art, beauty and irony.

"Come!",  it whispers, "Elbow a path through the mob! Add your own little crumb to the heap!"

Florence, Galleria dell'Accademia, Michelangelo's David; A masterpiece of precision goofballery. How long did this guy and his accomplice spend lining up the shot?

Florence, Galleria dell'Accademia; the public responds to Michelangelo's David.

Choose your favorite body part!

Dazzle yourself with wit, insight and originality!

Then go home and pretend that you actually saw the thing (which you obviously didn't).

Florence, Galleria dell'Accademia; the public responds to Michelangelo's David.

(2) SPIRIT OF THE BUNKER

FOR MORE ABOUT LIFE IN FLORENCE IN THE TIME OF COVID, SEE:

PLAGUE DIARY

There isn't much for which we can thank the Global Pandemic.

It killed millions, gutted downtown cities and made everyone gain weight.

 Florence, Italy; newspaper placards in the time of COVID as the city's three main dailies track the course of the plague; "Virus contagion increases...etc." (Photo Edward Goldberg)

In Florence, the COVID quarantine was intense and then some, lasting for many months.

Museums and other public attractions slammed shut.

Tourists disappeared in a puff of smoke, devastating the local economy.

Daily life was utterly miserable for the captive population, relieved only by native resilience and cynical humor (Florence being Florence, after all).

 Florence, Italy; a sandwich shop in Borgo la Croce is closed for the duration of COVID. (March 17, 2020; Photo Edward Goldberg)
Florence, Italy; a sandwich shop in Borgo la Croce during COVID; "When all of this is over, I will hug and kiss even the lamp posts!! CLOSED...."

Then came a magic moment... A glimmer of light... A veritable spring thaw... albeit an illusory one, since COVID wasn't done with us yet.

Museums started reopening in fits and starts. Sure, there were the inevitable rituals of masking, hand washing and social distancing.

But—in this quintessential museum city— switching on the lights in the Uffizi, Palazzo Pitti, Palazzo Vecchio, the Bargello and the Opera del Duomo was a blessed release and a vital connection to past normalcy.

Florence, Italy. a newpsaper placard; Glimmers of hope in the depths of COVID: "[Mayor] Nardella: My Plan for the Rebirth of Florence; From Palazzo Pitti to the Accademia, the Museums reopen" (May 28, 2020, Photo Edward Goldberg)

It took a while for the memo to go out to tourists around the world (and even across Italy).

So—for a few brief weeks —locals could dive into the "Michelangelo Experience", the "Botticelli Experience", the "Brunelleschi Experience" and so on— with unencumbered space and relative quiet.

Florence, Galleria dell'Accademia; The Tribuna with Michelangelo's David in May 2020. (Photo Edward Goldberg)

Florence, Galleria dell'Accademia; the entrance to the museum in Via Ricasoli during the mid-COVID lull. (Photo Edward Goldberg)

                        

Florence, Galleria dell'Accademia; the usual street scene in non-COVID times.

Also, for a brief blessed moment...

Florence, the Galleria degli Uffizi during the COVID lull in May 2020 (Photo Edward Goldberg)

Botticelli's Primavera in the Uffizi —a few days after I visited Michelangelo's David.

Florence, the Galleria degli Uffizi; Botticelli's Primavera—as per normal in non-plague times.

(3) AN INVITATION TO THE GALLERIA DELL' ACCADEMIA (not to be confused with "The David Museum")

Florence, Galleria dell'Accademia; interior with visitors (1860-70) as depicted by Odoardo Borrani. Those massive altarpieces by Cimabue and Giotto (high up) were later transferred to the Uffizi.

The Galleria dell' Accademia in Florence is one of the world's great art museums —but it could easily die with that secret.

Florence, Galleria dell'Accademia; the Sala del Colosso with the plaster model of Giambologna's Rape of the Sabines.

In addition to the infinitely bucket-listed you-know-what, the Galleria houses a vast and varied collection which almost no one thinks to see.

This includes the historic patrimony of Florence's principal art school and a breath-taking range of works deposited there over the centuries, mostly from suppressed religious institutions.

Florence, Galleria dell'Accademia; Lorenzo Monaco and the Late Gothic

We encounter stunning masterpieces (including some of the most gorgeous gold-grounds in town), but also an intriguing range of quirks and oddities—pictures that make us rethink everything we know.

Bursts of brilliant accomplishment by allegedly "minor" painters... Eccentric deviations by art historical celebrities... Nameless one-offs by the "Master of X", the "Master of Y" and their ilk.

In a word, the Galleria dell'Accademia is the most schizophrenic of museums —beloved by connoisseurs and...well..."not connoisseurs".

"Florence, The Transport of Michelangelo's David", from Nuova illustrazione Universale (18 January 1874)

What would it take for the authorities to liberate the Accademia and shift THE DAVID... someplace else?

Everyone would be happier! And it wouldn't be the first time...

With modern technology, it sounds like a no-brainer to me!

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