THE APOCALYPSE COMES TO CAMPO DI MARTE: Florentine Street Art in the Time of COVID

THE APOCALYPSE COMES TO CAMPO DI MARTE: Florentine Street Art in the Time of COVID

Breaking bounds in the depths of the COVID Quarantine...

FOR MORE COVID-ERA WANDERING AND PANDEMIC ART, SEE:

GROCERY SHOPPING (AND MORE) IN PANDEMIC FLORENCE

PLAGUE ART MINIMALISM AT FLORENCE'S SANTISSIMA ANNUNZIATA

MICHELANGELO'S DAVID: 0 Degrees of Separation

In those stir-crazy times, going out for a walk was strictly forbidden —so the trick was to pretend that I wasn't going for a walk.

A harmless older guy? Dutifully masked? Ambling by with a conspicuous pharmacy bag (sheer camouflage, of course)?

Florence, Via Ghibellina; Carabinieri Enforce the Pandemic Quarantine (Photo Edward Goldberg)
Florence, Via Ghibellina; Quarantine Enforcement (Photo Edward Goldberg)

I couldn't imagine that the Carabinieri would bother much.

Especially if I was heading away from the center of town....

Florence, Campo di Marte Rail Station; a view from the pedestrian bridge over the  tracks, showing no travelers and a single stalled train (Photo Edward Goldberg)

So, I trekked over the railroad tracks to Campo di Marte, past the subsidiary train station of that name.

Even in normal times, this is my favorite part of Florence—blissfully free of marauding tourists and ancient monuments.

Florence, Campo di Marte Rail Station; another view from the overpass;  poppies flourish on the now disused local track (Photo Edward Goldberg)

What is it about this chunk of territory?

Quartiere Campo di Marte is a place of its own and something more.

An urban barometer? It seems to channel the shifting moods of the entire city better than any neighborhood I know.

  Florence, Stadio Comunale Artemio Franchi at night. (Photo BodiRM)

Campo di Marte means Field of Mars—named for the God of War in the grandiloquent language of the Nineteenth Century.

It began as a military parade ground, then came a massive infill of athletic facilitiesincluding Florence's chief soccer stadium.

FOR MORE SPORTS AND STADIUMS, SEE:

CALCIO STORICO = HISTORIC FOOTBALL: Ritual, Rivalry and What Else?

GOING TO THE INDIAN: Across Florence’s Cascine Park and off the Edge of the Earth (Part 3)

HEALTHY FASCIST MIND, HEALTHY FASCIST BODY: Mussolini’s Foro Italico in Rome

SKATING OVER HISTORY IN ROME'S MUSSOLINI FORUM

Florence Stadio, Artemio Franchi; a winter event during normal (non-COVID) times. (Photo Lagarder7)
Florence, Stadio Artemio Franchi with a spectral projection of the historic Giglio / Lily emblem of the Florentine Football Club on the Mussolini-era main entrance (1931).

FOR A FLASH-BACK TO THE FRANCHI'S ORIGIN AS THE FASCIST STADIO GIOVANNI BERTA, SEE:

ANNO FASCISTA = FASCIST YEAR: Florence’s Mussolini-era sewer caps

Even when a plague is not raging, this neighborhood can feel like the outer edge of nowhere— except on game days, when it suddenly emerges as the city's beating heart.

Florence, Stadio Artemio Franchi; A dystopian fantasy plays out with bulldozers frolicking amidst the ruins of the historic stadium (1931). This mega-graphic was sponsored by a small but noisy consortium of fans who urged its total demolition, making way for a generic "modern" facility. In fact, a major restyling is now under way, preserving much of the original structure. (Photo Edward Goldberg)

Sporting venues, however massive, can prove oddly ephemeral as years pass and habits change.

Along the way, Campo di Marte  developed its own history and its own archeology. We can now trace the ebb-and-flow of past projects and ponder the meanings they reveal.

Florence, one of many intriguing architectural relics in the Campo di Marte sports area. (Photo Edward Goldberg)

I have always been intrigued by this compact little structure from the Mussolini period, with its rationalist design and crisp edging in travertine marble (the Fascist building material par excellence).

As far as I can tell, it was the ticket office for a now vanished military stadium. It's newish replacement (a state-of-the-art track and field venue) looms immediately behind.

Florence, Campo di Marte sports area, a Fascist era ticket office fantastically restyled (Photo Edward Goldberg)

On a projecting cornice, beneath the stone roof edging (evidently local pietra serena):

AMICIZIA * COLORE * ALLEGRIA * "MURO CONTRO MURO" * FELICITÀ * AMORE...

That is to say:

FRIENDSHIP * COLOR * JOY * "WALL AGAINST WALL" * HAPPINESS * LOVE...

(Another inspiring word got lost behind the fence. I'll check it next time I'm in Florence.)

Florence, Campo di Marte sports area, inscribed cornice of an old ticket office.

This all burst forth a couple of years before the pandemic and will fade away in due course.

A relentless swirl of good intentions— brain-stormed by local elementary school kids (I would guess), cued by over-eager adults.

MURO CONTRO MURO???

"Wall Against Wall" is an old Italian expression signaling an impasse, a failure of communication, a mute obstruction that can lead to worse.

But there is more to this MURO thing...

The MURI DELLA GENTILEZZA (Walls of Kindness) movement erupted with a vengeance, throughout Italy and maybe beyond.

The concept is simple: You and your friends adopt an abandoned wall. You hand your best selves a few buckets of paint. Then with the help of social mediathe world becomes a finer place.

Florence, Campo di Marte, painted decoration on a revamped ticket office (Photo Edward Goldberg)

We can get lost for ages, unpacking the weirdly upbeat messages —which come at us from every direction at once.

Under a row of Florentine lilies, a guy reaches through a hole in a fence (or tennis net?) and shakes hands wtih another guy— diversely enabled in a wheelchair. ("Friendship" and something else? I don't see "Communication" or "Understanding" on the list.)

Then there are five stars from the Florentine football team (circa 2016-17)— diverse but only somewhat (two white Spaniards, a white Argentine, a white Italian and a black Colombian).

Plus blocks from a dismantled wall— picking up the MURO theme. And an oddly elliptical soccer ball.

Florence, Campo di Marte, painted decoration on a revamped ticket office (Photo Edward Goldberg)

Now a boxing ring with two white contenders under a flowering tree that sheds... leaves or fruit? ...labeled:

D*I*S*U*G*U*A*G*L*I*A*N*Z*A (Inequality).

On the railings, the fighters are labeled INTEGRAZIONE (Integration) and PREGIUDIZIO (Prejudice).

"Prejudice" gets the stuffing beat out of him while "Integration" prevails.

Florence, Campo di Marte, painted decoration on a revamped ticket office (Photo Edward Goldberg) 

For years, I had been walking by this curious monument once or twice a week, watching the memes of the day come and go. Then COVID struck and nothing looked the same.

Death on horseback— shooting arrows of contagion —is the most visceral emblem of the ancient Plague.

I can only guess what this scene was meant to conjure circa 2016— but in 2020, while the pandemic raged, no one could escape its age-old message.

Lucignano (near Arezzo), Church of San Francesco; Bartolo di Fredi's Triumph of Death (fresco, circa 1360)
Florence, Campo di Marte, painted decoration on a revamped ticket office (Photo Edward Goldberg)

Then there was the rainbow thing...

In Judaeo-Christian culture, it conjures God's reconciliation with the Jewish people (or mankind more generally, if you prefer) after Noah's flood.

I have put my rainbow in the clouds, and it will be the sign of the covenant between Myself and the world. When I send clouds over the earth, the rainbow will be seen in the clouds, and I will remember the covenant... and there will never again be a flood to destroy all life. (Genesis 8:21)

A formerly ubiquitous Italian Peace flag. (PACE = PEACE)

Peace and concord... But the years pass and one thing leads to another.

In Italy, the rainbow became the ubiquitous emblem of opposition to the 2003 Iraq War.

Milan, a Gay Pride rally.

Then there was "rainbow equals diversity" (multicolored, you see).

Layering meaning over meaning...

Sexual, racial and whatever else comes to mind...

Florence, Covid-era Street Art; "Andrà Tutto Bene = Everything Will Be Fine" and  "Vinceremo = We Will Win". (Photo Edward Goldberg)

When COVID struck, countless children were stranded at home with nothing to do except drive their parents crazy.

Yet anyone with crayons or water-colors and too much time can fashion a rainbow...

Florence, Covid-era Street Art; "Tutto Andrà Bene = Everything Will Be Fine" and "Io Resto a Casa = I Am Staying in the House" (Photo Edward Goldberg)

But only in Florence can a multicolored arc find its home above an old buchetta da vino ("wine hole").

For centuries, landowners sold their excess production through these small arched windows.

Florence, Covid-era Street Art; "Tutto Andrà Bene = Everything Will Be Fine" and "Io Resto a Casa = I Am Staying in the House" (Photo Edward Goldberg)

"Once we get through this, everything will be fine". That is the Bible's message for the deluge.

But God's own covenant, "there will never again be a flood", proved sadly illusory.

COVID vanished briefly, then came hurtling back.

Giving kids plenty more time to make rainbows and give new twists to their meaning.

Florence, Covid-era Street Art (Photo Edward Goldberg)

#IORESTOACASA... Note the hashtag.

"I Am Staying in the House" began with a top-level government decree on March 10, 2020, first ordering public employees to work from home and then ordering everyone else to stay home too, whatever the cirucmstances.

This spawned a massive online campaign to make "staying at home" seem cool, not just civically responsible. (Are you listening kids?)

Florence, Covid-era Street Art (Photo Edward Goldberg)

At first glance, this might look like a double mano cornuta (horned hand) against the malocchio (evil eye), but with the two pinkies oddly joined to a floating valentine heart.

Except it's not...

This is the classic Italian gesture—per scaramanzia—folding back the thumb and two middle fingers to recreate the Horns of the Devil.

The "Shaka" gesture, signaling "Don't Worry!" and "It's All good!"

To me at least, the io resto a casa signal Iooks strikingly like a Hawaian shaka—much cooler!the traditional aloha gesture absorbed into international surfer culture as "hang loose".

Florence, Covid-era Street Art; Telephone me! (Photo Edward Goldberg)

Then you can always reach out by telephone—although I have to wonder if the young artist ever actually saw an old-fashioned land-line phone?

Florence, COVID-era rainbow flag; this one was right across the street from my house, so I got to know it well. (Photo Edward Goldberg)

Meanwhile, those without crayon-wielding detainees to placate could burrow through their closets and attics, recalling to duty proudly faded Iraqi peace banners.

But then the months passed and the pandemic remained... leaving us all twisting in the wind, showing some wear.

Florence, COVID-era rainbow flag (Photo Edward Goldberg)

Meanwhile, a little comic improv...working with the material on hand.

More COVID art... NEGATIVE!  (Photo Lyle Golderg)

FOOTNOTE:

An original Iraqi "PACE" flag on proud display in Chevy Chase, DC (USA). I can vouch for its Italian authenticity since I brought it over myself... way back when.
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