JEWISH IN ITALY?

JEWISH IN ITALY?

A NOTE TO VISITORS:

Read through this post.

Then —if you are ready for a deeper dive into my years as a puzzled and puzzling outlander in "Catholic" Italy —click below:


JEWS AS JEWS

You will find a chapter from my unpublished book CARNIVAL BLOOD, where I share some of my more memorable adventures.

For me, the Sordevolo Passion of Christ remains in a class of its own a journey to the  edge of rational experience, terrifying yet sweetly absurd.


THE SORDEVOLO PASSION: Jewish Infamy Takes Center Stage in the Foothills of the Alps

Then GET IN TOUCH with me if you have stories to share!

Edward Goldberg

Florence, Uffizi Gallery; A view of Tutti i colori dell'Italia ebraica (All the Colors of Jewish Italy), a stunning showi in 2019, featuring textiles and other decorative arts (Photo Lyle Goldberg)

There are 60 million people in Italy of whom 30 thousand are Jewish.

Virtually everyone else is Catholic —by history, habit and culture at least.

Even today, Jews in Italy occupy an obscure realm of their own. Thus my long and often perplexing experience, in the midst of things but just out of sight.

There are museums, of course. There are memorials, cemeteries and ruins. All the usual markers of a puzzling people who survived for millennia against the odds.

But when it comes to living breathing Jews, Italians instinctively look away. Is there really nothing to see?

Florence, Old Jewish Cemetery (Cimitero Monumentale Ebraico); this nineteenth-century tomb is in the Etruscan style  (Photo Lyle Goldberg)

Regarding Jewish irreality in contemporary Italy, I have long fixated on the opening scene in Giorgio Bassani's great novel, The Garden of the Finzi Continis:

"The Etruscans are at the very beginning of the history book, right near the Egyptians and the Jews."

"But tell me, Dad! Who do you think are older?"

"The Etruscans or the Jews?”

(Translation: Isabel Quigley)

Thus speaks Giannina, a nine year-old Roman girl back in the 1950s, on a weekend jaunt to the Etruscan Necropolis of Cerveteri.

The Holocaust was still a recent memory and there was a non-dead Jew in the car standing in for the author himself.

So, a good laugh (or at least a wry chuckle) was had by all. Then a heavy silence ensued...

For more on Giorgio Bassani at Cerveteri, see WHO CAME FIRST? Jews, Etruscans, Someone Else...

An old instructional chart of "Ancient Peoples" but not exactly the one that I encounteredi n my fifth grade classroom. "Israel/Judah" (above) —not "Hebrews", alas— clocks in just ahead of "Etruscans" (below).

At about the same time late 1950sbut thousands of miles away, I encountered such chronology in a wall-chart in my fifth grade classroom.

We were studying what passed for Ancient History back then. Each nation, people or culture had a beginning and end date, plus a defining "contribution" or two. "Hebrews" included...

As the lone Hebrew in the room, I was proud to figure as an Ancient People (albeit at the very bottom of the list, slipping from BC over into AD). My "contribution" was "One God" and "Biblical Literature" (thereby finessing the "Old Testament/New Testament" thing).

Sigal Adler, My First Passover Haggadah; This edition was published in 2024, long after my time.

Meanwhile, there was another requisite that only I could claim. Unlike my classmates, I knew my way around the Ancient Peoples' Neighborhood just by doing the normal things that Jewish kids do ("Jewish" meaning East Coast Suburban Ashkenazi).

I had already met the Egyptians (Slavery and Passover), the Babylonians (Destruction of the First Temple, then Talmud), the Persians (Queen Esther and Purim), the Assyrians (Judith of Bethulia with Holofernes) and the Seleucids (bad guys at Chanukah, defied by the Maccabees).

Rome, Arch of Titus, 14 May 1948: survivors of the Holocaust gather with Rabbi David Prato to celebrate the declaration of the State of Israel.

There have been Jews in Italy for two thousand years— well before there were "Italians", I would argue.

Rome, Arch of Titus (81 AD); this relief shows looted sacred objects from the Temple in Jerusalem which had been destroyed a decade before.

The Hebrew captives in Titus' imperial triumph in 71 AD knew perfectly well that they were Iudaei— a designated people with a shared faith.

At that time, the surrounding Italici were a mixed lot merely Roman residents of the peninsula, not even Christian yet.

They would have to wait until the Risorgimento ("National Resurgence") eighteen hundred years later for "Italian" to mean what we take for granted today.

For the prominent role of Jews in the Unification of Italy, see:

JEWS IN THE RISORGIMENTO

Ostia Antica (the ancient port of Rome); Lyle Goldberg photographs the remains of the synagogue which probably dates from the Severan dynasty, 193-235 AD. (Photo Edward Goldberg)

Theories abound regarding the first appearance of Jewish travelers and traders in Italy perhaps even before the Judaean Wars and the diaspora of 71 AD.

Ostia Antica, Synagogue; Jewish ritual items on a capital. (Photo Lyle Goldberg)

But do objective dates really matter, when it comes to Jews and their doings?

For Italians, they embody a remote history of their ownwhich is to say, no tangible history at all.

Florence, Old Jewish Cemetery (Photo Lyle Goldberg)

Italians just don't get it when it comes to Jews...

But it's funny how little that matters when you are there on the ground.

From the moment of my first arrival, Italy felt like home.

How could that possibly be?!

Presepe (Nativity Scene) figures at San Gregorio Armeno, Naples. The multiple Josephs and Marys mingle with other more exotic characters.

Above all, there is the counter-effect of everyone in Italy being more-or-less Catholic.

Since the legacy of the Church permeates most aspects of life, few stop and take notice in the course of a normal day.

Oxford: me in pompa magna taking my doctoral degree (1980), plus a few views of my college, Lincoln. (Photo montage Edward Goldberg)

Then there is my own personal history...

I spent most of the 1970s as an Art History grad student at the University of Oxford, commuting to Italy for my dissertation research.

It didn't take long for me to grasp an essential truth:

The God of My People never meant me to be an Englishman —but somehow, a quasi-Italian seemed just fine.

Italy; Autumn in the Chianti just before the grape harvest (circa 2000; photo Agostino Quaranta). Looking over my shoulder, Maria Callas, tutelary deity of Temperament. (Portrait by Ulisse Sartini, Museo Teatrale alla Scala, Milan) (Photo montage Edward Goldberg)

Let me explain...

Oxford is a wonderful place and it was a huge privilege to spend years there.

Still, temperament is temperament and it was never "home".

Florence: Miscellaneous postcards picked up over the years. (Photo montage Edward Goldberg)

Sure, there is art and history in Italy—lots of both.

But there are also human relationships and daily life.

Real Spaghetti circa 1970; an iconic magazine advertisement found in Piazza dei Ciompi, Florence's famous flea-market. Not a Bar Mitzvah buffet but close enough.

Whether you are American Jewish or Italian Catholic— observant or not on either side— there is always the Big Three: Family (Famiglia), Food (Mangiare) and Looking Good (Bella Figura).

So, I was seldom taken by surprise, when it came to the basics at least.

Meanwhile, the old Mediterranean gene pool kicked in. Wherever I went in Italy, I could count on melting into the crowd.

Exploring "The Italian Thing", a well-established genre of online expression.

Unlike me, American and British friends (Gentile, of course) were constantly thrown for epic loops by Italians simply acting ike Italians.

They would make grave observations. All would nod in shared bemusement. And I was left wondering, "What's your point?"

Shylock with Solanio and Salarino, engraving by H. C. Selous (from The Merchant of Venice in The Plays of William Shakespeare, Cassell & Company, 1860s)

"IN ITALY, IT’S NOT WHAT YOU KNOW, IT’S WHO YOU KNOW!"

Objective standards should count more than personal relations? Interesting idea, but I don't see it catching on.

"TIME HAS NO MEANING! HE WAS SUPPOSED TO PICK ME UP ME AT WHATEVER O’CLOCK AND WE WERE SUPPOSED TO GO… (etc)."

Italian Time meets Jewish Time! He will do his best to leave his house at whatever o’clock and you can plan accordingly.

Italian Food Culture. And not only...

ESS! ESS! ESS GESUNTERHEYT!

MANGIA! MANGIA! MANGIA CON BUONA SALUTE!

EAT! EAT! EAT IN GOOD HEALTH!

I Can Get It For You Wholesale; Barbara Streisand as Miss Marmelstein in Jerome Weidman's play (1961).

There is nothing worse than paying full price— whether you are Jewish or Italian. And it’s not only (or even mostly) about the money.

Buying retail is a pathetic admission that you are an utter loser who has flunked out of the system, with nary a “connection” to his name.

“Conosce una persona...” with a nudge and a wink. (“He knows a guy...”)

Or “Er ken zikh oys...” (“He knows his way around..."), with the nudge and the wink already built in.

"Neuroses, you want? Neuroses, I got!" I am devoted to JEWISH HUMOR but could never stomach that annoying and unfunny Woody Allen thing. Meanwhile, my Italian friends hailed him as the chief exponent of American Jewish culture— being the only one they knew.

If your response to most queries is “Funny you should ask!” or "Bella domanda!" ("Fine question!"), you are already in the zone— especially in Florence where cynical humor reigns (and has done so for centuries).

Even in the earliest days— when my spoken Italian was still emerging from its cave— I was hailed for my irony in the local style. "Appena arrivato e già uno spiritoso alla fiorentina!" ("Barely arrived and already a Florentine-style wit!")

I felt like I was cheating of course... All I had to do was translate the sarcastic back-chat I grew up with.

Italian reporting from the World Trade Center.

Do you know any good jokes about 09/11?

A group of mostly academic friends and I planned a casual dinner in Florence for the evening of September 11, 2001— but then...

So, we found ourselves sitting around the television in the living room, balancing plates of pasta on our laps, watching that same damned video over and over again.

New York, World Trade Center (photograph), September 11, 2001.

There was only one other American —not a member of the tribe —a lumbering pedant who pounded away at "the situation", shedding truth and meaning from every pore.

At last, he lurched to a stop, flinging a final pronouncement into the air:

"Ma noi proponiamo altri valori e questo è il prezzo della libertà!"

("But we profess other values and this is the price of liberty!")

It was too much for a mere mortal like me.

"Si fanno degli sconti?!"

("Do they offer discounts?!")

That was 25 years ago and the guy I knee-capped hasn't spoken to me since —but il castigo di Dio (Divine Punishment) was quick to come.

Woody Allen in Venice with his film Manhattan Murder Mystery (1993)

"Umorismo ebraico!"

("Jewish humor!")

"Abbiamo Woody Allen fra di noi!"

("We have Woody Allen in our midst!")

"Hannah e le sue sorelle m'è piaciuto da morire!"

(“I loved Hannah and her Sisters!”)

"Annie Hall era la fine del mondo!"

("It doesn't get better than Annie Hall!")

I looked into their smiling faces— there was no escape!— so I gritted my teeth and smiled back.

For related themes— not in the Italian context— see Dara Horn's brilliant and disquieting book, PEOPLE LOVE DEAD JEWS: Reports from a Haunted Present.

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